Fall Gathering of Artisans for Special One-Day Show

Amethyst Lamp from Crystal Luxe Lighting

This fall, a Home & Fashion Accessory Showcase will feature the work of six talented local artists.  The one-day show will be held at a private home in Bethesda, Maryland by invitation only on October 18 from 10 am to 4 pm.  

Bring a friend (but not the kids, please) and enjoy a glass of wine, hors d'oeuvres, and a relaxed atmosphere while you shop for unique hand-crafted items.  It's a great opportunity to get in some early holiday shopping or to treat yourself to a one-of-a-kind gift.    Here are some brief descriptions and photos of what these wonderful artists will be offering at the show.

Aldeane Josephs -- Elegant custom-made lamps from Crystal Luxe Lighting -- each made from a one-of-a-kind exotic crystal or semi-precious stone set on an acrylic base with nickel hardware and a custom silk shade. Crystal Luxe Lighting lamps were featured in the 2014 D.C. Design House. See more of these sophisticated lamps in the Crystal Luxe Etsy shop.

"Girl Power-Let's Run Ms. T," acrylic on canvas by Beverly Rogers © 2014

Beverly Rogers -- Beautiful original abstract paintings on canvas, pillows, placemats,  and unique totes.  Beverly's lively art and home decor focus on color, balance, and connection.  

Kathy Berbakos -- Hand-knitted scarves and "corsage" bracelets.

Betty Farrell -- Unique jewelry made from semi-precious beads and crystals.

Personalized Ballet Tutu Tote Bag from Nancy Marshall

Wenzell Carter -- Original photography, note cards and holiday cards made from original photographs taken by the artist all around the world.

Nancy Marshall -- Unique handcrafted gifts including silk and beaded purses, monogrammed ballet tutu bags and aprons, children's hair ribbons and accessories, super hero capes, and chalk placemats.  Visit her Etsy shop, Fancy by Nancy, to see more.

So, as you can see, there will be something for everyone at this Home & Fashion Accessory Showcase.  If you receive an invitation to this special one-day event, please go enjoy the show -- Saturday, October 18 from 10 am to 4 pm.  

Note:  I unexpectedly had to pull out of this show.  I apologize to my customers and especially to my fellow artists for any confusion or inconvenience I have caused.

Photo Follow-Up: Making Progress with the Light Box and Lightroom

The Square Perfect light box out of the box,
in its convenient self-storing case

So I don't know what was wrong with me that first time I tried Lightroom last week, but I did have much better luck the next time.  Well, the next day, actually, my light box kit arrived, so I had to give it another shot, so to speak.  So I did a little photo shoot in my new light box kit by Square Perfect, and then tried editing in Adobe Photoshop Lightroom 4.  

My set-up of the light box, with the sheer white on top

First, I have to say that the light box was great, but not the  cure-all I was hoping for.  The kit I got comes with two little lights, a little tripod, velvet backdrops in white, black, blue and red (although for the life of me, I can't imagine I'll ever use the blue or red), and the collapsible light box itself folds into a nice sturdy case that holds everything.  My only real complaint about the kit is that it didn't come with instructions, and I was confused about how to set it up.  At least one side has to be black, i.e., opaque.  My instinct told me this should be the back, but the photo on the box shows the black side on top (or maybe even the back and the top).  I stuck with my instinct and set it up so that I'd have natural light filtering in from the top, with the lamps lighting each side.  I was disappointed that this set-up did not allow as much light in the box as I had hoped; I expected flooded natural-looking light with absolutely no shadows.  I will say that even thought I don't really love the look of a pure white background, it did allow the colors of my products to show better than on the natural travertine stone I'd been shooting on.  So, I think this is a style compromise I'm willing to make.  Maybe I can make up for the boring white background with more props.  And I'll try shooting in the light box on very sunny days, to see if that helps.  Although I must say the idea that, in a pinch,  I can do a decent photo shoot any time of day -- regardless of the whether it's a cloudy or sunny day -- takes some of the pressure off.  


As for my Lightroom experience, the second time around was much better.  The first day, I had trouble at every step.  I couldn't even figure out how to import photos off my camera into the program.  And then, even though I was doing okay with the "developing," i.e., editing, I couldn't figure out how to do the key things I really needed to do for my Etsy shop: (1) make sure the files were in sRGB color mode instead of Adobe RGB, so that hopefully, the colors wouldn't change when I uploaded them; and (2) reduce the file sizes to no more than 1000 pixels.  I kept trying to watch tutorials, but they kept buffering.  Arghh!

An assortment of my Zazzy Peacock needle-felted
spring hair clips shot against a white backdrop

The second day, I looked at some non-video tutorials and quickly realized that you choose the color space (the sRBG option) and the file size when you export from "Library" mode.  Aha!  Things went much more smoothly after I figured that out!  And miraculously, the second day, when I clicked on "Import," it automatically pulled up my camera as an option.  In "Develop" mode, I was able to make some improvements to the images, but I still didn't really know what I was doing.  (Notice that the white background does NOT look white!) I was disappointed that the "auto" functions for white balance and tone did not do the trick; in fact, they looked awful.  I had this fleeting fantasy that I could just hit "auto" and magically make each photo perfect.  The background got somewhat "whiter" when I realized I had to click on a neutral gray with the white balance eye-dropper.  Lucky I had those shadows after all!  It's still not great, but oh well.  I know if I keep working on it, I'll keep getting better.  I have 23 days left on my 30-day free trial to get good enough to feel like it's worth paying for!

The background may not look white, but it shows the
colors of the crystals better in this felted jewelry set 

So these are the first few photos I edited and exported as sRGB in Lightroom.  By the way, they're not optimal, but I sent these three photos with an application for my first juried craft show. I'm looking forward to a live-and-in-person venue where people can see and touch my creations, and I don't have to rely on photos to convey their vibrant colors and soft, fuzzy textures.  In the meantime, I do hope to get better at this photo editing thing, so that looking at photos in my Etsy shop will be the next best thing to seeing my felted jewelry and accessories in person.  

I think this shot of some of my felted peacock accessories came out the best, so far

Getting Photo Savvy for Etsy: Can I Figure Out How to Use Lightroom and a Light Box?

This week, I am feeling overwhelmed by how technically unsavvy I am. My goal for this week was to get a light box and learn to use Adobe Lightroom software, so that I can optimize my photos for my Etsy shop. At the moment, my photos do not do justice to my creations. Those of you who have Etsy shops are likely very familiar with this problem. For whatever reason, when I upload photos to Etsy, no matter how good they look on my computer, they become dull, drab and lifeless. It’s aggravating to say the least.

Peacock Tree on my  beige wall

Anyway, I did such a crappy job of taking photos of my paintings, that I hired my very talented photographer friend, Charles Sichel-Outcalt, to take professional photographs for me. (He was already working on creating incredible giclee prints of my paintings) OMG! When I saw his photos, I realized just how much room for improvement I have in all of my photography. His photos of my paintings are vibrant and true to the originals, and the colors magically do NOT change when I upload his photos to Etsy. Wow! Mine, on the other hand, look like I spilled coffee on them.

My painting, Peacock Tree; photograph by Charles Sichel-Outcalt

Here’s the thing – while I have lots of natural light in my house (well, probably too much), I don’t have a single white wall. There’s just no place in my house to photograph my art without building my own photography studio. So I knew I needed professional help to photograph my art. I thought I was doing an acceptable job with my felted jewelry and accessories on my own, but now I realize that better lighting and the right software can make a world of difference.

Composition:  Six and Two

Charles has encouraged me to use Lightroom editing software to optimize my photos. I downloaded a free trial version and tried it for the first time today, but I’m already frustrated. I’ll keep trying, and I’m excited to get my light box kit tomorrow. But if I can’t get up to speed pretty quickly, I may end up paying Charles to photograph all of my creations.  Oy!  I'd just rather be felting or painting, frankly.

My original painting, Composition: Six and Two; photograph by Charles Sichel-Outcalt

At least then I know I’ll be sure to get professional, beautiful pictures that will really capture the true colors and textures of my work. Charles is brilliant with a camera as well as with photo editing software.  He blogs about his photography at Honeysicle Studios and sells his work on Etsy with his business partner, Honie Howarth. Here are a couple of his incredible images –- true works of art. Enjoy these and be sure to click over to his blog and shop to see more.

Photograph of the U.S. Capitol
© Charles Sichel-Outcalt

Photograph of the Louvre © Charles Sichel-Outcalt